E
搜索"E" ,找到 1015部影视作品
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安东尼奥·雷斯
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The world, life and work of Jaime Fernandes, a peasant born in Barcos (Beira Baixa, Portugal), who was diagnosed with paranoid schizophrenia at the age of 38 and interned in a sanatorium in Lisbon, Hospital Miguel Bombarda, where he died at the age of 69. When he was 65-years-old he started to paint and during the short period of life-time until his death he made a brilliant pictorial work, influenced by the social environment and the sanatorium daily-life. For the Portuguese-speaking members a lot of information about the film and director can be found here: http://antonioreis.blogspot.com/ For the French-speaking members: Critic de Jean Louis Schefer, Cinmathque-http://antonioreis.blogspot.com/2007/07/160-jaime-crtica-de-jean-louis-schefer.html
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Pandiraj
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A lawyer turns judge jury and executioner and goes after a gang, led by a minister's son, that threatens women with videos of them.
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山川吉树 / 樱井亲良 / 铃木健太郎 / 松泽建一 / 桥本敏一 / 冈村正弘 / 守田艺成 / 樱美胜志
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幼时曾深陷绝望深渊的直枝理树,与4位少年少女相遇了。 在那之后数年,理树作为Little Busters的一员,喧闹地过着快乐的每一天。 这样的时间能够一直持续就好了。理树所期望的只有这样。 某日,恭介突然表示要成立一支棒球队伍, 理树则开始了寻找成员的任务。 在这样的过程中,理树邂逅了新的成员们。 和大家一起参加试胆大会,潜入女生宿舍时被换上女装,一起演人偶剧……。 经历了许多快乐的事情, 同时也在大家的帮助下解决了各自拥有的烦恼。 最后在棒球比赛中,理树确认了和最好的朋友们之间的牵绊。 ——然而,这并不是结束。 和来谷唯湖之间的故事。 理树与铃的故事。 以及,理树和铃终于知晓的“世界的秘密”。 Little Busters真正的物语,自此开始——。
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《SUPER LOVERS》是根据阿部美幸创作的同名漫画改编的动画,由Studio DEEN制作。第一期动画于2016年4月6日起播出,全10话 。第二期动画《SUPER LOVERS 2》于2017年1月12日起播出。 被“母亲病危”的消息骗到海外的高中生海棠晴,在那里突然被介绍认识了是“你的弟弟!”的名叫海棠零的男孩子。 海棠晴拼命地照料着谁的话都不听的野生儿海棠零,而海棠零的身世似乎也是一个秘密,加之,在海棠零终于能开始亲近自己时,一场悲剧发生在海棠晴身上。 5年后,与长大了的海棠零再会的晴又将面临怎样的生活呢?
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呐,还记得吗?第一次接吻的那一天—— 从加拿大来到海棠家长男·晴的处所的四男·零,终于开始习惯同一屋檐下的生活,晴所经营的咖啡厅也步上正轨的某一天。 造访海棠家的晴的母亲·春子,对四兄弟宣言:“我要带着零回瑞士!” 好不容易拉近彼此距离的零与晴,由于这爆炸性的发言,产生分歧的次数增多了。 ——再一次发生麻烦事的预感!?
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第1回「君が好きだから」(著:井上美珠) 第2回「溺愛デイズ」(著:槇原まき) 第3回「愛されるのもお仕事ですかっ!?」(著:栢野すばる) 第4回「待ち焦がれたハッピーエンド」(著:吉桜美貴) 第5回「野良猫は愛に溺れる」(著:桜朱理) 第6回「暴走プロポーズは極甘仕立て」(著:冬野まゆ) 第7回「プリンの田中さんはケダモノ。」(著:雪兎ざっく) 第8回「冷酷CEOは秘書に溺れるか?」(著:流月るる) 第9回「総務部の丸山さん、イケメン社長に溺愛される」(著:有允ひろみ) 第10回「152センチ62キロの恋人」(著:高倉碧依) 第11回「私と彼のお見合い事情」(著:幸村真桜) 第12回「4番目の許婚候補」(著:富樫聖夜)
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Ishbel Hall
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In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles' journey in the hope of unravelling one of the greatest mysteries in British art.
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Netflix first-ever global fan event to entertain and honor fans from around the world.
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In the late 16th century Europe was in the grip of a ferocious witch hunt, where thousands were tortured and burnt at the stake. The church was fully behind this terrifying crusade against the imaginary enemies of Christianity. In France and Germany alone up to 40,000 people may have been killed as witches. But England and Scotland were almost untouched by witch persecutions until King James himself decided to launch his own, personal war on witchcraft. In 1597 King James VI of Scotland published 'Daemonology', a handbook on how to recognise and destroy, witches. The book explored the threat that 'those Detestable slaves of the Devil', posed to James himself. It fuelled waves of witch hunting throughout Britain. The legacy of James' 'Daemonology' continued throughout the 17th century, and led to the torture and execution of hundreds of women in a series of infamous witch trials. No-one knows exactly how many men and women died in these trials, such as the Pendle trial of 1612, or how many others were killed in cases that never came to court. The documentary reveals the purges in many areas of Britain drew directly on King James' book. Also for the first time, remarkable new archaeological evidence from Cornwall, suggests that witchcraft was actively practiced for centuries, even during the most intense periods of witch-hunting. Experimental archaeologist Jacqui Wood has excavated strange pits lined with swan's feathers, and filled with animal skins and human remains. She believes the pits were ritual offerings inspired by witchcraft beliefs.
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Historian Dr Micheál Ó Siochrú presents award-winning director Maurice Sweeney’s gripping docudrama, which re-evaluates the role and character of England’s most influential democrat. Cromwell: God’s Executioner has drama, excitement and action, combined with a poignant reflection on the horrors of war. If you thought you knew Cromwell, think again.
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Katharina Kastner
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What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
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吉冈忍
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名古屋にあるごく普通の学校・手羽先高校1年生の有は TCGトレーディングカードゲーム「Reバース」が大好きな女の子。 ひょんなことから串カツ屋の看板娘千春・天才中学生周子とチームを結成! マッドサイエンティスト青・ミステリアスなただのいい人の梢・ 宇宙を見過ぎて足元を見ない育未もあつまってきて、 にぎやかで充実のReバースライフを過ごしている。 一方、東京・上野の名門校セントパンダ女学院では、 有とスマホへの依存が止まらない圭・過剰に品行方正な京・ 食欲モンスター雪・庶民派の豊・覆面ミュージシャン樹里・ 何も考えていない沙希という面々が エレガントかつバイオレンスな寮生活を送っていた。 Reバースをプレイする12人の少女達の「りばあす」な日々へ、 Reバース GO!
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Rosie Schellenberg
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斯蒂芬·史密斯
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Writer and broadcaster Stephen Smith finds out what it took to survive and prosper in the most artistic, decadent and dangerous royal courts in history.
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Archaeologist Julian Richards returns to some of his most important digs to discover how science, conservation and new finds have changed our understanding of entire eras of ancient history. Pagans of Roman Britain 1/4 Julian Richards goes back to the excavation of two burials from Roman Britain. Families of the Stone Age 2/4 Archaeologist Julian Richards returns to the excavation of two burials from the Stone Age. Sacred Women of the Iron Age 3/4 Julian Richards returns to the excavation of two very different Iron Age women. The First Anglo-Saxons 4/4 Julian Richards returns to the excavation of two early Anglo-Saxon cemeteries.